International Coalition Of Worker Unions Declares Emergency Over AI Use In Animation
Over two dozen entertainment unions in Europe and North America are calling for action to prevent artificial intelligence from taking over the animation industry.
Over two dozen entertainment unions in Europe and North America are calling for action to prevent artificial intelligence from taking over the animation industry.
Third Floor co-founder Josh Wassung explains how they built an animation studio around “Predator: Killer of Killers.”
The head of Lionsgate claims that making an anime feature is as simple as telling an AI software, “Do it in anime.”
The Montreal-based animation studio, known for projects like ‘The Day The Earth Blew Up: A Looney Tunes Movie’ and ‘The Bob’s Burgers Movie,’ is dipping its toes into AI-assisted production.
Company co-founder Andrew Carr speaks about Cartwheel, a new AI animation tool developed with the help of Pixar animators and backed by Jeffrey Katzenberg.
Money continues to flow into tech startups that have their sights set on eliminating every single last animation artist.
The company, which says its software will do for animation what “the iPhone did for photography,” also announced the hiring of two veteran Pixar animators.
The company wants to make the process of creating animation less expensive and complex.
The Scottish studio is among the few in our industry that is being transparent about its usage of AI.
Researchers are touting these new AI-generated Tom & Jerry experiments as examples of how they can generate longer and more consistent AI video.
“TVPaint Animation was made as a traditional animation tool,” the developer said in a statement. “As such, our goals will always be directed toward hand-drawn animation.”
Said Docter, ” I think it’s a great tool for people who know how to use it to say something about the human experience.”
Developer Lost Marble says “this will continue to be our position, at least until potential ethical and legal issues are resolved in a way that does not harm artists.”
Sixte de Vauplane, co-founder of Animaj, explains his new technology and how animation can benefit from new generative AI pipelines that serve artists.
The first six tools help to create masks, upscale and extend backgrounds, and aid with the time-consuming scene setup process.
Post-acquisition, DNEG’s Brahma group will employ over 800 engineers and creative technologists.
There’s a lot more open-source software used in big-studio animated features than you may think.
Azaria is anxious about the future, but believes his job is safe for the immediate future.
Barbie, Chester Cheetah, and Cocomelon have all been brought to life using the company’s production pipeline.
“Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours,” says the studio’s design director.